Friday, October 15, 2010

The Spirit is Willing





Do you remember this movie? It was in fairly heavy rotation on TV when I was growing up, but now seems to have slipped into the mists of time. The things that stood out in my memory were first the theme, which, as it turns out was written by the same guy that wrote the Addams family theme, and the ghost of the wacky lady in the red nightie. She always scared me, even though she was played for pretty broad laughs. Turns out this was produced by Master Schkockmeister William Castle! I saw the guy who plays the teenage son , Barry Gordon, on an episode of Curb Your Enthusiasm the other day playing an old Rabbi. I always think of him as that nebbishy kid from The Spirit is Willing!

Tuesday, October 12, 2010

When Vampires Didn't Suck (as such)


Last evening I finished doing something that I have wanted to do for many years. Every October, I tell myself I really ought to re-read Dracula, seeing as I was a high school freshman the one and only time I read it. It affected me powerfully then, bringing vivid dreams and (I must confess) the very brief but memorable placing of garlic in my bedroom window.
It still packs quite the punch, though I haven't busted out with any garlic (yet!).
Stoker did an amazing job of weaving this complex tale through the first person point of view of numerous different people from different classes, sexes, and nationalities, in a very convincing way. I admired the novel from a technical as well as an entertainment standpoint, and though the Victorian prose sometimes got a bit thick, it was much more fast-paced and accessible than I remembered.
Movies have never gotten the Count just right, but for my money, the BBC's Count Dracula got the closest. My brother and I were such fans of this version we made an audio cassette recording of it when it re-played on PBS in the pre-VCR year (for us anyway) year of 1979. The cast was great, Louis Jourdan brought a suave yet decayed European elegance to the Count, and the true star of the show, Van Helsing, was played to absolute perfection by Frank Finlay. The haunting theme music performed the sublime miracle of capturing everything about Dracula: it was haunting, powerful, menacing, hypnotic, yearning, malevolent,...sad. Amazing.
I won't bore you with rants about how much vampire stuff mostly blows in this Twilight era. You know it and I know it. The modern twisting of the vampire myth to make the daemonic desirable is but one of the many illustrations existing in entertainment today that celebrates the spiritual degradation of the current zeitgeist. See The Monsters Among Us in my archive for more on that if you want.
If you haven't read Dracula, or read it a long time ago, do yourself a favor and enjoy it. If you have never seen The BBC's Count Dracula, track it down and see what I mean.
And keep the garlic handy!

Wednesday, October 6, 2010

The Dark Secret of Harvest Home





1978. The Golden Age of "made for TV " movies!


I haven't seen this movie since then, but I remember it well. Bette Davis' performance as the Widow Fortune was powerful scary. (She reminded me of Mrs. Tennyson, my 7th grade Reading teacher at that time!) Later, when I was in 10th grade I read the Thomas Tryon novel Harvest Home on which this mini-series was based, and really enjoyed it as well. The great combination of Fall/Harvest imagery and ancient/pagan ritual made for a very evocative seasonal impression, that has stuck with me for all these years.


I have waited for years for this movie to be released, it is available on DVD only in bootlegs; some old VHS copies are still floating around for sale. It is available for viewing on YouTube and I think I shall watch it there. ( Might not be the best quality, but hey, after 32 years, who cares?)

Tryon also wrote another good book, The Other, which also had a memorable movie made from it, about a little boy on a New England farm, who is haunted by the spirit of his less than innocent dead twin . Reading Tryon, Stephen King, and H.P. Lovecraft at this time convinced me that it was a very good thing that New England was on the other end of the country from me!

Thursday, September 16, 2010

The Raven



Poe, Dore', and Basil Rathbone...Nice combo...I am pretty pleased at how this arrangement came out except for the blackout at the end, where a couple of misfire credits show through the darkness. I am pretty proud of this, but not THAT proud!

Thursday, September 9, 2010

Once Upon a Time

This is a collection of nice stuff from the Golden Age of Illustration, set to the track "The De Lesseps' Dance" from the Shakespeare in Love soundtrack. I wanted to present these with no added effects so that I didn't get in the way of the great pictures. I recommend watching this on full screen. Enjoy!

Thursday, September 2, 2010

Cosmic Consciousness


A few weeks ago while perusing the clearance section of a nearby Half-Price Books, I came across a copy of Cosmic Consciousness, by Richard Maurice Bucke, M.D. The title of the book rang a bell; I recalled that Colin Wilson had made mention of this work several times in his illuminating The Occult and its sequel Beyond the Occult. I looked at the photograph of the author, saw the book was only three bucks, and decided to check it out.

And I am glad I did.

First off , the biography of Bucke is amazing. For a more complete account, click http://en.wikipedia.org/wiki/Richard_Maurice_Bucke. But , in brief, Bucke was born in England, immigrated with his family to Canada, lost his parents at an early age, went to the United States to seek his fortune where he was attacked by Indians, survived (the sole survivor, no less) a horrible snowstorm that wiped out his mining party and cost him a foot and several digits, went back to Canada, became a medical doctor, went to Europe and mastered psychiatry, returned to Canada and oversaw an insane asylum where he instituted many progressive developments in the care for the mentally ill. Whew. And that was just his mainstream biography. His "mystical " biography began through his love of poetry, Walt Whitman being his primary guide. He could recite Whitman's Leaves of Grass verbatim from memory, as well as innumerable other works: truly, an amazing man with an amazing mind.

Cosmic Consciousness is the best known of his several works, and has been reprinted often since its first publication in 1901. The first part of the book lays out his theory in a very cogent and well researched manner. In its simplest form it is this: man's consciousness has evolved over the ages, from simple consciousness: the very basic awareness that all animals have of their immediate surroundings and needs, to self consciousness, when man became aware of himself, his place in the world, how to use reason and imagination, and the knowledge of the certainty of his own death, and lastly, cosmic consciousness, a state of awareness that has slowly been developing over the centuries, becoming more and more present as generations unfold. Cosmic consciousness is a sudden awareness that manifests itself in a revelatory manner to an individual , illuminating the wholeness of the universe as one enormous living and organic presence, bringing with it a great feeling of spiritual immortality, intellectual enlightenment, moral profundity, and shedding in that instant the fear of death, and the sense of sin.

The second part of the book is a rundown of the various historical figures that Bucke believed to have obtained cosmic consciousness, such as Jesus Christ, Gautama the Buddha, Mohammad, William Blake, and others , including, of course Walt Whitman. He uses the recorded words and deeds of these individuals to support his theory and breaks them down in a very interesting way.

Bucke makes his case in a very scientific manner. The theory has every potential to go off into mystical hocus pocus but it never does in Bucke's hands; he treats his subject with seriousness and sobriety. Still, the cumulative message about Cosmic Consciousness and its effect on humanity as it develops is profoundly optimistic and affirming.

The book came to me at a good time. I have been prowling around various religious, mythical, and philosophical works, and have been noticing a subtext in most of them that point to this very kind of unifying vision, all shown through the particular local vernacular of its source. I will post more on this later, but I believe that Bucke is correct, and the 109 years that have followed the publication of his book, with all the historical and technological upheavals that have occurred, show an intellectual and spiritual trend away away from the local "masks" of God, and a move towards a universal Spiritualism.

Saturday, August 7, 2010

All the President's Spin

With the political "silly season" cranking up I figured this next Babeltoon was most apropos. Although drawn a few years back, nothing much has changed. I always thought that "a pox on both your houses" political humor was just too easy. However, as someone who has for decades now observed political activity with the same ghoulish delight that some people have watching Faces of Death videos, I just couldn't resist. You have to appreciate the absurdity of the system that we allow to run the world.